- Improving Content ID (YouTube) — finally they’re adding some human intervention to lower the number of false positives.
- OECD’s Internet Economy Outlook (OECD) — lots of stats, from growth of streaming media to crime and EHRs. This caught my eye: In 2010, on average, 35% of all businesses with ten or more persons employed used the Internet for purchasing, and only 18% for selling goods and services.
- Half Of What You Know Is False — The field of scientometrics – the science of measuring and analyzing science – took off in 1947 when mathematician Derek J. de Solla Price was asked to store a complete set of the Philosophical Transactions of the Royal Society temporarily in his house. He stacked them in order and he noticed that the height of the stacks fit an exponential curve. Price started to analyze all sorts of other kinds of scientific data and concluded in 1960 that scientific knowledge had been growing steadily at a rate of 4.7 percent annually since the 17th century. The upshot was that scientific data was doubling every 15 years.
- Catalyst Grants — Macmillan’s Digital Science incubator.
ENTRIES TAGGED "copyright"
Robocopyright, OECD Numbers, Half Of Which Are Probably Wrong, Science Incubator
- Visual Strategies — book of useful tips for improving visualisations, described as “a useful Tufte”. (via NY Times)
- Copyright Enforcement Bots Killed Hugo Streaming (io9) — automated content policing ‘bots killed the live stream, and uStream wouldn’t bring it back. This is the problem with automated enforcement: bots can’t tell all permitted uses, let alone fair use.
- High Resolution 3D Printer — 5m/s at micrometer precision. Looking forward to my nanoscale RepRap.
Mobile Money, Quantified Server, Mobile Chatbot, and YouTube's Content Detection
- Mobile Numbers (Luke Wroblewski) — eBay’s mobile shoppers and mobile payers are 3 to 4 times more valuable than Web only [...] Yelp runs ads on the mobile web, and those ads see a higher clickthrough rate than their desktop counterparts.
- Data-Driven Restaurants (Washingtonian) — Did Elizabeth bring your Pinot Gris within three minutes of the time you ordered it? Were your appetizers delivered within seven minutes, entrées within ten, desserts within seven? Were these plates described at the table before they were set in front of you? Were napkins refolded when you went to the restroom? Was non-bottled water referred to as “ice water” (correct) or “water” (incorrect)? (via Daniel Bachhuber)
- Content Detection Fail (Ars Technica) — five other media organizations (mostly television stations, including some from overseas) had claimed the content of his video through YouTube’s Content ID system. That video? A Google+ hangout where he played NASA videos of the Mars landing. Shonky rights verification is a problem, as Google pays ad royalties to those who claim the rights–creating incentives to lie. And as Google doesn’t pay any royalties while material is disputed and the dispute is unresolved, it’s not really in Google’s interest to make this work either. (via Andy Baio)
Assembly Crack, Political Pieces, Better Select Boxes, and Fairly Using Orphans
- Learn to Write 6502 Assembly Language — if retro-gaming is the gateway drug you’re using to attract kids to programming, this is the crack you wheel out after three months of getting high. Ok, this metaphor is broken on many levels. (via Hacker News)
- Small Political Pieces, Loosely Joined — MySociety: We believe that the wrong answer to this challenge is to just say “Well then, everyone should build their own sites from scratch.” [...] Our plan is to collaborate with international friends to build a series of components that deliver quite narrow little pieces of the functionality that make up bigger websites. Common software components, perhaps interchangeable data … good things coming.
- How Fair Use Can Solve Orphan Works — preprint of legal paper claiming non-profit libraries can begin to work on orphaned works under the aegis of free use. Finally, regardless of a work’s orphan status, many uses by libraries and archives will fit squarely under the umbrella of uses favored by the first fair use factor (the “purpose of the use”), and their digitization of entire works for preservation and access should often be justified under the third fair use factor (the amount used). As such, fair use represents an important, and for too long unsung, part of the solution to the orphan works problem.
UK Copyright Modernisation, Lessons from Cisco's Evil, Automation, and Kinect Tool
- HM Government Consultation on Modernising Copyright (PDF) — from all appearances, the UK Govt is prepared to be progressive and tech-savvy in considering updates to copyright law. Proof of the pudding is in the eating (i.e., wait and see whether the process is coopted by maximalists) but an optimistic start.
- Cisco Provides a Lesson (Eric Raymond) — This is why anyone who makes excuses for closed source in network-facing software is not just a fool deluded by shiny marketing but a malignant idiot whose complicity with what those vendors do will injure his neighbors as well as himself. [...] If you don’t own it, it will surely own you.
- Automate or Perish (Technology Review) — As the MIT economist David Autor has argued, the job market is being “hollowed out.” [...] Any work that is repetitive or fairly well structured is open to full or partial automation. Being human confers less and less of an advantage these days.
- Kinectable Pipe (Github) — command-line tool that writes skeleton data (as reported by Kinect) to stdout as text. Because Kinect programming is a pain in the neck, and by trivializing the device’s output into a simple text format, it becomes infinitely easier to digest in the scripting language of your choice.
Copyright and intellectual disobedience, improving health IT integration, and pushing the envelope on digital images.
This week on O'Reilly: Artist Nina Paley explained her "intellectual disobedience" stance on copyright, Shahid Shah looked at the future of health IT integration, and illustrator Laura Maaske discussed the next generation of digital imagery.
Artist Nina Paley on pushing the boundaries of copyright.
"Sita Sings the Blues" creator Nina Paley explains her "intellectual disobedience" stance on copyright and notes that current copyright laws are "completely out of touch with human behavior."
The result of the Oracle-Google case blocks an inappropriate extension of copyright.
As the Oracle v Google trial shows, we get proper rulings on copyrights and patents when judges and jurors understand the technology they're ruling on.