- OMG Text — a plugin for CSS framework Compass for directional text shadows. (via David Kaneda)
- Build a Cheap Bitcoin Mine — some day it will be revealed that the act of generating a bitcoin token is helping the Russian mafia to crack nuclear missile launch codes and Afghan druglords built the Bitcoin system to destabilize the US dollar.
- Polycode — a free, open-source, cross-platform framework for creative code. You can use it as a C++ API or as a standalone scripting language to get easy and simple access to accelerated 2D and 3D graphics, hardware shaders, sound and network programming, physics engines and more. The core Polycode API is written in C++ and can be used to create portable native applications. Lua interfaces. (via Joshua Schachter)
- Flickr Date Design — interesting thoughts on Flickr’s date design. The date your photos was taken is stored in a MySQL datetime technically giving you the ability to label your photo as being taken solidly 800+ years before anything most of us would describe as the invention of photography. Which is a little silly.[...]Fundamentally this split between system activity time, and human editable creation date models a world where the people who use your software do something other then use your software. You have to decide how you feel about admitting that possibility. (via Nelson Minar)
ENTRIES TAGGED "css"
Shadowy CSS, Bitcoin Mining, Graphics API, Date Design
Steve Souders on browser wars, site speed, and the HTTP Archive.
In this interview, Google performance evangelist and Velocity co-chair Steve Souders discusses browser competition, the differences between mobile and desktop optimization, and his hopes for the HTTP Archive.
Nicole Sullivan on how CSS is evolving to meet performance and device needs.
Velocity speaker and CSS expert Nicole Sullivan discusses the state of CSS — how it’s adapting to mobile, how it’s improving performance, and how some CSS best practices have led to “bloated code and broken websites.”
Mobile Money, Materials Magic, Minimising Multiples, and Making Motion
- Serve — American Express mobile payments play. Money on mobiles is a huge potential, look for others to bang around here before the right answer is found. (via Mike Olson)
- Move Mayonnaise and Ketchup (YouTube) — I don’t know why you’d want to move mayonnaise and ketchup intact, but this is the machine for it. (via Russell Brown)
- Duplicates Detection with ElasticSearch (Andre Zmievski) — duplicate detection (or de-duping) is one of the most unappreciated problems that the developers of certain types of applications face sooner or later. The applications I’m talking about share two main characteristics: item collection and some sort of social aspect.
- Ceaser — tool for making CSS easing animations. (via Josh Clark)
Zork Pen, Clever Web Design, iPhone Library, and Text Layout
- Zork and Tic-Tac-Toe on a LiveScribe Pen (YouTube) — this guy totally ported the Z-Machine so he can play Zork on his pen. My favourite bit is the comment from Infocom founder Scott Cutler: As the implementer who wrote the first Z-machine for the TRS-80 some 30 years ago and one of the founders of Infocom, I was thrilled and impressed to see what you did. I can guarantee you that we never imagined it would be played with a pen! (via Joe Johnston and Jason Scott)
- Ben the Bodyguard — brilliant web site design. (via Aza Raskin)
- three20 — open source iPhone library based on the Facebook app, providing things like photo viewer, message composer, etc. (via The Mission Lab)
- Scale and Rhythm — beautiful web site that lets you experiment with the variables in text layout.
How one vowel creates a limiting design paradigm
The first group/publisher/company/person who moves away from the ebook and to content — content that can be delivered to a variety of media, digital and non-digital, with display and style applied separate from and after content creation — wins.
At the StartWithXML Forum in New York in January, Rebecca Goldthwaite of Cengage gave a great demonstration of how Cengage uses CSS in their XML workflow. Many publishers regard style sheets as an invitation to create cookie-cutter book production, with the fear that all their books will look the same. This is emphatically a myth. Have a look at her…