- Recording Revenues for the Typical Artist (Digital Music News) — more than 82 percent of their revenue from paid downloads, with CDs accounting for more than 11 percent. That leaves streaming revenues – including Spotify – with a scant 6.5 percent contribution. (via Simon Grigg)
- Chinese SMS Payment Malware — the virus — which lurks in wallpaper apps and ‘activates’ post-download – quietly gains access to users’ SMS functionality before exploiting a vulnerability within China Mobile’s SMS payment gateway to carry out transactions and access data.
- Wall Street’s Robots Are Not Out To Get You (Renee DiResta) — injecting some reality into the robotrading “IMMINENT DEATH OF MONEY PREDICTED” hypetastrophe.
- Blocker Flash Cards (Gamasutra) — a collection of common ways game developers try to stall progress on something they don’t like. Not common to the games industry, though: I think I’ve encountered every single one of the tactics in various guises. In other news, many human beings are passive-aggressive meatsacks waiting to be composted for the good of the planet.
ENTRIES TAGGED "media"
Lucrative Downloads, Mobile Money Malware, Robotrading Reality Check, and PITA Programmers
Mobile Money, Quantified Server, Mobile Chatbot, and YouTube's Content Detection
- Mobile Numbers (Luke Wroblewski) — eBay’s mobile shoppers and mobile payers are 3 to 4 times more valuable than Web only [...] Yelp runs ads on the mobile web, and those ads see a higher clickthrough rate than their desktop counterparts.
- Data-Driven Restaurants (Washingtonian) — Did Elizabeth bring your Pinot Gris within three minutes of the time you ordered it? Were your appetizers delivered within seven minutes, entrées within ten, desserts within seven? Were these plates described at the table before they were set in front of you? Were napkins refolded when you went to the restroom? Was non-bottled water referred to as “ice water” (correct) or “water” (incorrect)? (via Daniel Bachhuber)
- Content Detection Fail (Ars Technica) — five other media organizations (mostly television stations, including some from overseas) had claimed the content of his video through YouTube’s Content ID system. That video? A Google+ hangout where he played NASA videos of the Mars landing. Shonky rights verification is a problem, as Google pays ad royalties to those who claim the rights–creating incentives to lie. And as Google doesn’t pay any royalties while material is disputed and the dispute is unresolved, it’s not really in Google’s interest to make this work either. (via Andy Baio)
Creative Business, News Design, Google Earth Glitches, and Data Distortion
- Patton Oswalt’s Letters to Both Sides — You guys need to stop thinking like gatekeepers. You need to do it for the sake of your own survival. Because all of us comedians after watching Louis CK revolutionize sitcoms and comedy recordings and live tours. And listening to “WTF With Marc Maron” and “Comedy Bang! Bang!” and watching the growth of the UCB Theatre on two coasts and seeing careers being made on Twitter and Youtube. Our careers don’t hinge on somebody in a plush office deciding to aim a little luck in our direction. (via Jim Stogdill)
- Headliner — interesting Guardian experiment with headlines and presentation. As always, reading the BERG designers’ notes are just as interesting as the product itself. E.g., how they used computer vision to find faces and zoom in on them to make articles more attractive to browsing readers.
- Google Earth Glitches — where 3d maps and aerial imagery don’t match up. (via Beta Knowledge)
- Campbell’s Law — The more any quantitative social indicator is used for social decision-making, the more subject it will be to corruption pressures and the more apt it will be to distort and corrupt the social processes it is intended to monitor. (via New York Times)
Choking the Olympic spirit for profit.
I’m violating my first rule. I’m writing angry. But…
I love the olympics. I love sport. And the olympics, still, despite it all, seem to me an incredible distillation of sport’s dedication, intensity, joy, humanity, and drama. Whether it’s the higher order game theory playing out in the biking peloton, the slowly evolving drama of the marathon, the sheer primal athleticism of weighlifting, or the H2O-immersed VO2max test that is the 400m individual medley, I just can’t get enough of it.
But NBC insists on forcibly reminding me at every turn that the Games are also something else. Like college football players, the athletes are mere “content” in a much bigger game. In this case what amounts to a two week utopian experiment in Nationalist Corporatism. A frenzy of metal counts, extractive economics and mind numbing cultural absurdity – where countries are reduced during their introduction to an association with their biggest historical monster.
But you had to wait to hear it because Costa’s idiotic commentary was held on tape until NBC’s $1B worth of sponsors were ready for you to see it: PrimeMonetizationTime. So, a giant fence surrounds the proceedings, put there by the IOC, NBC, and Akamai, where even tweets are controlled and the biggest event on the planet is dribbled out in a maddening temporal shift. But even then we had to endure systematic editing to make sure no one in the Kingdom of TeaMerica might be offended by anything, or bored. It doesn’t have to be this way. This was such a lost opportunity to make it great.
I still haven’t seen the opening ceremony from Beijing (same reasons, same perp), and I missed the one last night too. Well, I didn’t miss it exactly. When my tweet stream started lighting up late yesterday afternoon with visions of giant babies and Voldemort and flying bicycles and all the other British trippiness I ran to my TV. Work can wait, I want to see this! But I was blocked at every turn. Like an Iranian dissident I finally managed via a secret proxy to get a glimpse. But it lasted only a moment before some well-compensated gatekeeper sussed it out and blocked my subversive stream. I couldn’t deal with the asymmetry of the commentary without the thing, so I just shut down Twitter.
Music Industry, Subscribe to Me, Pipe Progress, and Modern Careers
- Meet The New Boss, Worse Than The Old Boss — transcript of a thoughtful music industry insider considering the effect of the net on the business. The other problem? I’ve been expecting for years now to see aggregate revenue flowing to artist increase. Disintermediation promised us this. It hasn’t happened. Everywhere I look artists seem to be working more for less money. And every time I come across aggregate data that is positive it turns out to have a black cloud inside. Example: Touring revenues up since 1999. Because more bands are touring, staying on the road longer and playing for fewer people. Surely you all can see Malthusian trajectory?
- Kottke on Quarterly — I eyed TED’s book club and thought “hmm, interesting business model: you like my taste, sign up and I’ll send you things”. Quarterly is a “my taste as a service” service. (via Sacha Judd)
- Pipe Viewer — clever little command-line utility to show progress of pipes.
- Sheryl Sandberg’s HBS Class Day Speech — two things stood out, beyond the honesty of the talk: If you’re offered a seat on a rocket ship, don’t ask what seat (that’s her quoting Eric Schmidt) and [careers] are not a ladder; they’re a jungle gym (her quoting Facebook’s head of HR). (via Sacha Judd)
Jer Thorp visualizes the history of "The Avengers."
In this week's visualization, The New York Times' data artist Jer Thorp visualizes the appearances of "The Avengers" in the comic book series.
Key milestones in data journalism's development.
In this excerpt from "The Data Journalism Handbook," Liliana Bounegru connects the dots between the earliest forms of data journalism, the rise of computer-assisted reporting, and today's data-driven media efforts.
Google Maps alternatives, inside Dart, and the upside of offline.
This week on O'Reilly: StreetEasy's Sebastian Delmont explained why his team left Google Maps behind, we looked at the ins and outs of the Dart programming platform, and Jim Stogdill considered the alternatives to always-on living.
Turning off, opting out, and disconnecting to save my brain for the things I really want to use it for.
Jim Stogdill is tired of running on the info treadmill, so he's changing his media habits. His new approach: "Where I can, adapt to my surroundings, where I can't, adapt my surroundings to me."
Lost sales from illegal downloads are lost because of convenience, not price.
The inconvenience of current downloads and streams are not a technology problem, they're a business problem. And rights holders perpetuate the piracy "problem" by not giving consumers the convenience that piracy does.