Four short links: 15 March 2011

Twitter Numbers, Online News, Emotional Complexity, and Making Described

  1. Twitter Numbers — growing at half a million accounts a day (how many are spammers, d’ya think?), over 140M tweets sent each day.
  2. Online vs Newspaper News (Mashable) — The Poynter Institute, a landmark of American journalism research, has determined that as of the end of 2010, more people get their news from the Internet than from newspapers — and more ad dollars went to online outlets than to newspapers, too. (via Sacha Judd)
  3. Blue Lacuna: Lessons Learned Writing the World’s Longest Interactive Fiction (PDF) — While I felt Progue was largely a success, the extreme complexity of the character’s code made difficulties with him both intensely difficult to diagnose and repair, and failures all the more mimesis-breaking for an engaged audience. In addition, the subtle text substitutions and altered behaviors provided in many cases too opaque a window into Progue’s interior workings. From informal interviews and published reviews I gathered that players could often not tell which conversation responses might cause Progue to become more submissive, paternal, and so on. In many cases, the change was not noticeable at all, and did not successfully indicate to players that their actions had had an e ect on the character. More mechanisms to let the player shape their relationship with Progue more directly might have created a stronger feeling of agency for players, and an increased ability to shape the story more to their liking. Lessons for people designing complex emotional states into their products. (via Zack Urlocker)
  4. From Head to Hand (Slate) — I was searching for the place where someone, anyone, writes about that epiphany where you see what you have made and it is different from what you had conceived. I was searching for a description of how an object can displace a bit of the world. I was avid. I wanted someone to write a description of Homo faber, the maker of things. I wanted a story of making told without the penumbra of romanticising how hard it is, without nostalgia.
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