- Sifted — 7 minute animation set in a point cloud world, using photogrammetry in film-making. My brilliant cousin Ben wrote the software behind it. See this newspaper article and tv report for more.
- Vehicle Tech Out of Sync with Drivers’ Devices — Ford Motor Co. has its own system. Apple Inc. is working with one set of automakers to design an interface that works better with its iPhone line. Some of the same car companies and others have joined the Car Connectivity Consortium, which is working with the major Android phone brands to develop a different interface. FFS. “… you are changing your phone every other year, and the top-of-mind apps are continuously changing.” That’s why Chevrolet, Mini and some other automakers are starting to offer screens that mirror apps from a smartphone.
- Incentives in Notice and Takedown (PDF) — findings summarised in Blocking and Removing Illegal Child Sexual Content: Analysis from a Technical and Legal Perspective: financial institutions seemed to be relatively successful at removing phishing websites while it took on average 150 times longer to remove child pornography.
- OpenCV for Processing (Github) — OpenCV for Processing is based on the official OpenCV Java bindings. Therefore, in addition to a suite of friendly functions for all the basics, you can also do anything that OpenCV can do. And a book from O’Reilly, and it’ll be CC-licensed. All is win. (via Greg Borenstein)
ENTRIES TAGGED "censorship"
Filmic Photogrammetry, Car APIs, Takedowns, and OpenCV for Processing
Twitter suspends an account, Time Inc.'s new chief has a consumer plan, and ereader technology needs a "kick in the pants"
Here are a few stories that caught my attention in the publishing space this week.
On Sunday, Twitter suspended British journalist Guy Adams’ account after he tweeted NBC executive Gary Zenkel’s email address. Much kerfuffle ensued, Adams wrote a letter to Twitter, Twitter’s general counsel Alex MacGillivray apologized for the way the situation was handled, and Adams’ account was reinstated.
Reviews in the aftermath were interesting. The account suspension ultimately had the opposite of the intended effect, pointing a spotlight at Adams’ tweet and garnering it far more attention than it likely would have had otherwise. Meghan Garber at The Atlantic put together a Topsy chart of the response to Adams’ tweet, which showed the response began as pretty much nothing and then exploded upon his account suspension.
Kashmir Hill at Forbes also reviewed the situation and the surrounding drama, and concluded that the biggest loser was the complainant, NBC: “Beyond having their exec’s email spread far and wide over the Internet, it’s reflected poorly on their stance on free speech and garnered much more negative press for them than they could have imagined when they first complained.”
Mathew Ingram at GigaOm took a look at the bigger picture and identified a serious issue raised by Twitter’s actions:
“… as it expands its media ambitions and does more curation and manual filtering of the kind it has been doing for NBC, Twitter is gradually transforming itself from a distributor of real-time information into a publisher of editorial content, and that could have serious legal ramifications.”
Ingram points out that Twitter isn’t interested in being a publisher or being seen as one, but notes the company is walking a fine line: “If the company is filtering and selecting messages, however, and possibly letting certain parties know when a legally questionable one shows up, that is much more like what publishers do …” Ingram’s post is this week’s recommended read — you can find it here.
A traditional publisher takes a bold digital step, copyright issues span sane to bizarre, and PayPal rescinds its role as censor.
Encyclopaedia Britannica unloads its print product, a Belgian copyright group wants libraries to pay for reading to children, and PayPal does a 180.
PayPal is censoring, pirates are opportunities, and newspapers are doomed.
PayPal's demand on Smashwords is a wolf in sheep's clothing. Elsewhere, proposals to get publishers past piracy and a newspaper study reports grim results.
A look at the role and goals of the U.S. Secretary of State's innovation advisor.
Alec J. Ross, the U.S. Secretary of State’s senior advisor for innovation, doesn’t want a tech strategy — he wants policy and change with a tech component. Read more about Ross’ role and his goals in this interview.
BitTorrent Privacy, Censorship, Facebook Privacy, AV Programming
- Exploiting Privacy Threats in BitTorrent — INRIA researchers were able to identify big seeders and big downloaders and find downloaders’ IP addresses through Tor. (via Slashdot)
- Google on Internet Censorship — text of a speech to the UN Human Rights Council. I won’t talk at length about the Global Network Initiative, but it’s something that our company and Microsoft and Yahoo have come together with human rights groups to put together, and we have in essence written a code of conduct for how information technology companies should operate in repressive regimes. It’s quite complex, it took a long time to do, you can imagine what it was like to putting those people in a room for two years together, but we have succeeded.
- Facebook’s Privacy Timeline (EFF). Must read–little editorial needed, it speaks for itself.
- Cinder C — a new C++ framework created by The Barbarian Group for programming graphics, audio, video, networking, image processing and computational geometry. Cinder is cross-platform, and in general the exact same code works under Mac OS X, Windows and a growing list of other platforms — most recently the iPhone and iPad.
Wikileaks Fundraising, Internet Censorship, Unfree as in Video, and Museums Online
- WikiLeaks Fundraising — PayPal has frozen WikiLeaks’ assets. Interesting: they need $600k/yr to run.
- The Great Australian Internet Blackout — online protest to raise awareness about the Great Firewall of Australia.
- History of the World in 100 Objects (BBC) — a radio show, telling the history of humanity in 100 objects from the British Library. Exquisitely high quality commentary (available in original audio and in textual transcript), hi-resolution images, maps, timelines, and more. It’s growing day by day as episodes air, and shows how a quintessentially offline place like a museum can add to the online world.